Four Years & in Defence of Avatar
Jan2
As of yesterday, my gorgeous lady and I have been together for 4 years. I drew this picture for her as a gift:


Click the above image for a larger version.
We saw James Cameron’s Avatar at IMAX and both loved it. I’ve noticed some very vocal backlash against the film amidst all the accolades and applause. On some points I tend to agree, but I don’t think the negatives (the story’s lack of originality, cheesy dialogue, etc.) come close to outweighing the positives of the “experience” of Avatar. Avatar is a fine piece of entertainment, and offers a visceral thrill ride that I’ve never before experienced in a movie theatre.
Avatar is a movie made for the mainstream, not the discerning intellectual film goer. Although that doesn’t stop every armchair critic from tearing it apart. I understand where those people are coming from, I really do. I was like them once: haughty, elitist, unable to let myself go and just enjoy the ride. So what if Avatar adheres to tried and true story-telling conventions? Not every film needs to be Pulp Fiction or Run Lola Run. There is a place for classical storytelling in cinema, and that place is in the big-budget high-grossing films of Hollywood. Movies like Spider-Man, Titanic, Lord of the Rings and Avatar all share a naiveté and sentimentality that appeals to the masses, and I don’t think there’s anything wrong with that. Storytelling like this works, and has done for thousands of years. I wrote an essay five years ago called “Smart Film vs. Dumb Film” which you can read by clicking here.
In it I wrote:
The real reason some people abhor mainstream cinema is because of their need to rebel and feel part of a select few. So-called “smart” cinema is just the elite group they’re looking for. “Smart” cinema really isn’t all that smart; it just makes the viewer feel smart. To a “smart” movie-goer, becoming lost in the myth, fantasy, drama, romance or action of a film seems dumb because it appears to require less brain-power. “Smart” movie-goers want a film that makes them think, thus making them feel smart. But what “smart” movie-goers don’t realise, is that it takes more intelligence on the film-maker’s behalf to have an audience become “lost” in the movie, than to have them constantly question everything they see on screen. “Smart” film wants to be overtly smart. It wants to show off its intelligence to the world. Mainstream cinema is content doing what it’s always been doing – entertaining.
Story aside, I simply don’t understand people who didn’t enjoy Avatar on a visual, visceral, sensory level. I guess the aesthetics might have turned some people off, but to me they were absolutely stunning. It’s on this level that Avatar rivals and arguably even surpasses it’s predecessors (Star Wars, Lord of the Rings), and I’m inclined to think that people who disagree with that are stuck in a reactionary point-of-view based on the massive success of the film.
I’m siding firmly with the mainstream here, and recommending Avatar to everyone I know. I’d be more than happy to debate my point of view in the comments section.
Oh yeah, and Happy Anniversary Lucy!
8:41 pm on January 27th, 2010
Firstly I’d like to say…. Awesome drawing Joe! I want an avatar too!
Secondly… Great Essay, a persuasive opinion? I went to see Avatar after hearing virtually nothing about it and was mesmerised! I’ve since read critiques of the film and tend to agree with some of the negative comments. I won’t list them because I’m sure everyone whose interested in the film has heard them all. However the point as you have made so well is that I was transported to another world and generally entertained by the film. So what if we are constantly fed the same formula, for the hero’s journey… Sometimes we might just want to be fed that same story by a new narrator using slightly different techniques to the last time and some very awesome special effects! Maybe films like this fulfil something in me that want’s to think there is such thing as a heroic victory of good over evil? I happen to like all kinds of movies and even some of those smart arsed, clever bastard films that make me feel like I’m smart because I think I got what they were on about. What was being John Malkovich about anyway? Oh and what on earth is so special about Woody Allen?
11:32 am on February 1st, 2010
A brilliant point well made. When I first starting trying to write stories for the stage, I had an assumption that I needed to create something truly “unique”, that is, a story that the audience hadn’t ever seen before. After digging a little deeper I discovered like you that the basics of storytelling have remained the same for, literally, thousands of years. There are of course thousands of variations, but the audience’s need to be satisfied remains consistent. That’s why the “smart” films you refer to only ever get a small fraction of the audience that the blockbusters do. Of course, we all know that blockbusters can fail at even making a basic story good, but I agree with you wholeheartedly that Avatar combines the best of both worlds.